a funny thing happened on the way to my life….

KEEP CALM, Summer’s Coming (15 Sunshine-Inspired Songs) SONG 10

All you need is a good dose of vitamin sea.  –author unknown

So much of that great summer vibe revolves around water.  Whether you’re fortunate enough to live near the coast, spend weekends at the lake, or just have access to a pool…summer requires water (and a lot of it!)  The surfy sound of “Rock Lobster” by the B-52s fits perfectly into my summer playlist for all the right reasons.  This 1970s tune has a catchy new wave sound, lots of nonsensical beach/ocean references, and its chorus just goes on and on (and on!)

“Rock Lobster” was written by two original band members and released two different times.  The first rendition was a little over four minutes long while its second release comes it at around seven minutes!  The song is a staple of any B-52s set and enjoyed chart topping success worldwide…listed at No. 147 on Rolling Stone’s 500 Greatest Songs of All Time.  The song remains popular today thanks to its appearance in current shows like The Family Guy (among others) and its also featured on the video games Just Dance 4 and Rock Band 3.

I love this song for so many reasons…its whimsical throwback beat that never goes out of style, the call and response vocals between the men and women in the group, and for its marathon run time!  The B-52s have always been one of my favorites (especially for karaoke 🙂 ) Plus, you can’t go wrong with a summer jam whose popularity has spanned almost 50 years!

Up Next:  SONG 11…”just close your eyes and I’ll take you there.”

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KEEP CALM, Summer’s Coming (15 Sunshine-Inspired Songs) SONG 9

No one likes shady beaches.  –author unknown

Summertime…it’s all fun and games…until it isn’t.  No one dreams of having a bad summer and yet they still exist.  But if summer isn’t all sunshine, thank heaven for quirky 80s songs that make the bad days bearable!  Here’s where “Cruel Summer” by English pop group, Bananarama, comes in.  Added to my summer music countdown for it’s easy chorus and spunky sound, it just screams summer…and then some.

The song actually debuted in 1983, but became a hit on the U.S. pop charts in 1984 thanks to the movie, “The Karate Kid.”  The lyrics tell the story of one stuck in a miserable, hot city AFTER a bad breakup.  Ouch!   Unlucky in love, and unsure what to do next, the singer is mired in a hopeless situation.  Shot on location in New York City during a record heat wave, the group didn’t have to do much acting.  Unaccustomed to oppressive city temps, the girls share that they simply wanted to shoot the video in NYC because they hadn’t been there before and may have bitten off more than they could chew.  Group member, Siobhan Fahey, details the misadventures of the video shoot in her book,  “I Want My MTV.”

I was nine years old when this song was all the rage.  I remember the ratty hair, big belts and overalls and did my best to emulate the look!  And of course, I remember singing this song…over and over (and over.)  Today, I sing this song in an attempt to bring back the 80s…AND to torture my kids, of course 🙂

Up Next:  SONG 10…”it wasn’t a rock….”


That’s NOT My MTV….

Everything popular is wrong.  Oscar Wilde

mtv-logo-7I’ll admit that I don’t watch a lot of MTV these days, but I so clearly remember when the network first debuted in the 80s.  Practically THE perfect channel (in my adolescent assessment,) as it was brilliantly simple–music videos with young, hip, fun personalities known as video jockeys (VJs.)  The ability to tune in to my favorite songs, 24/7, served as the backdrop to my tween and teen years and I’m sure that was the story for countless others from my generation.  And while reminiscing about Paula Abdul videos, Yo! MTV Raps, Pauly Shore and MTV News typically bring a smile to my face, it’s at this time EVERY year that my thoughts about MTV merely result in a long, sad sigh as the network offers up the its annual MTV Music Awards show.

Right now the web is blowing up with critiques and reaction to Sunday night’s show.  The annual offering was pretty hard to miss given that it runs live on several Viacom channels aside from MTV.  And while you couldn’t avoid it, there were plenty of reasons one might try to.  Obviously, the show is edgy.  It was edgy back in the day, but somehow the definition of edgy has been changed from simply “pushing the limits of good taste” to “practically naked” and “high on drugs.”  Hence the long, sad, sigh.

I am a big music fan (I have kids so I think it’s important to know WHO and WHAT they’re listening to) and believe it or not, I was actually very familiar with most of the performers and nominees.  I am genuinely impressed by the talent and creativity that goes into making a hit song, I just wish it could be different.  The pop psychologist in me wonders if these music celebrities would be any less successful or culturally relevant if they decided to keep their clothes on and skip the pre-awards show doobie?  I have a feeling those with true musical talent would still find fame, but those whose celebrity relies upon sensationalism might not.  I guess that’s what they call “famous, for being famous.”  My biggest disappointment in all this is that I’ve seen research that suggests provocative clothing (or lack there of,) foul language and drug references actually make today’s teens that much more inclined to like a song or artist.  Apparently, marketing and public relations gurus are also hip to this trend as many advise their celebrity clients to continue to push the boundaries.  Listen, I was young once…we all want to push a little, test the waters, and see what else it out there as part of declaring our independence from our parents, peers, etc.  That’s pretty typical, but somewhere along the way we’ve also opened the door AND placed a welcome mat out to some pretty disappointing, potentially dangerous and scary behavior.  Long, sad sigh.

The optimist in me keeps looking for a little glimmer of hope…a sampling of the fun, nostalgic MTV of days gone by, but that’s a pretty tall order for a network that has used sensationalism as its stepping stone toward continued relevance.  Several writers have outlined their top ten moments from this year’s show and while I could recall each of these episodes…none of them stood out as great or outstanding.  Most of them weren’t even about the music.  Again…long, sad sigh.  Just another f-bomb laden, almost nude, drug-promoting, angry ranting awards show.  For me, the best part of the show was not what was taking place on the television, but rather my family’s reaction to the whole thing.  I wish I had kept a tally for every time my husband asked “why we were watching this show, when we could change the channel, and if the show was over yet?”  My tween daughter opted to watch YouTube tutorials in her room, and my teenage son didn’t even know the show was on (boy, I dodged a bullet there!)

No doubt the coverage of this event will continue.  Miley Cyrus will be critiqued, the feud between her and Nicki Minaj will further develop, a reporter will be assigned to find out why Justin Beiber was in tears, and a campaign team is likely assembling now for Kanye’s presidential run.  It’s all just a little too much.   As I type this, plans are probably in the works for next year’s award show, but as much as I ascribe to the “devil you know” mantra…MTV just might have to count me out.   I think I’m done.

When you get something like MTV, it’s like regular television. You get it, and at first it’s novel and brand new and then you watch every channel, every show. And then you become a little more selective and more selective, until ultimately… you wind up with a radio.  David Lee Roth